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The Cecchetti Centre Trip To White Lodge

Teaching ballet is such a joy but when frustrations build because we have too short a time in the studio or pupils miss class for other important dates like ‘Halloween’ (was I the only person to average four pupils per class that afternoon?) there are times when we lose a sense of what it’s all about.

The Cecchetti Centre trip to White Lodge was just the ticket for reminding us of the real reason we teach dance. Passion!

The day began at Sparrows with a Year 7 (first year intake) Body Conditioning class for both boys and girls. This was particularly impressive as it was overseen by three teachers including the full time physiotherapist, and accompanied by excellent music. Incorporated into the class was a thorough and appropriate cardiovascular warm-up and Pilates mat work. Immediately followed by separate ballet classes for a further one and half hours. Clearly this carefully constructed programme is beneficial, as there are no new injuries present among any of the first years.

The day continued with body conditioning and Ballet classes for all year groups and we were able to ‘studio hop’ during classes to see other teachers and students at work. It was wonderful. Each teacher appreciated and nurtured the talent before them and worked to develop the artistry, style and presence of each student through constant references to theatre, ballet, auditions, Nutcracker rehearsals etc. It was all very ‘now’ and up to the minute.

White Lodge follows the Vaganova system of training, which meant some of the terminology was unfamiliar. The stylistic qualities are beautiful and there was a definite ‘schooling’ among the dancers. But rather than a one-method-only approach to ballet technique, it was emphasised that an ‘English Style’ is being taught. It embraces all things good and relevant for the needs of current classical companies and choreographers. For example, the Cecchetti port de bras are incorporated in such a way they are refreshing to watch. The students are able to take the RAD major examinations. Primarily this is with a view to competing in the annual Genée awards and thereby gaining recognition and advertising for the Royal Ballet School. However, exam syllabus work is regarded as an adornment in that it is taught in the minimum amount of time (weeks not years) to gain maximum benefit, before a final examiner’s appraisal.

Diane van Schoor, the Principal takes a very active role in the school, she doesn’t just sit in her office (despite having the best views of The Queen’s Ride!). There is a nice feeling of cohesion in the school at a time when things are changing daily. The staff and pupils could not have been more welcoming and accommodating and the atmosphere everywhere was positive and focused. White Lodge is undergoing a £22 million redevelopment to modernise the dance, academic and boarding facilities. There is a constant buzz of activity beyond the studios and there is now a new accommodation block, a stunning new studio with more to come and a larger canteen (enabling everyone to come and eat on time, which was impossible before). Eventually there will also be a museum and hydrotherapy pool.

Thank you to the staff and pupils at White Lodge for hosting us for the day. Our glimpse into a typical day with the inevitable timetabling adjustments or Nutcracker rehearsals, ‘goal setting’ and tutorials leaves a fine impression of the constant pro-activity and an overwhelming passion for the arts. Finally, thank you to the 26 Cecchetti Centre teachers and friends who supported this event. Many of you said what a great day it was and I for one would love to return.
Penny Kay

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