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Social Dance Evolution

As a dance teacher best known for my particular interest in vernacular aspects of music and dance I am often asked to clarify the difference between dances of similar origin, e.g. Mambo and Salsa or Hip Hop and Streetdance.

In most cases the general answer is that dance forms, which came about as a result of the natural reaction to the music of the period and unrestricted by rules and regulating bodies, are subject to the evolutionary journey of that particular style of music…where the music goes, so the dance follows.

Take ‘Swing’ for example; the roots of Lindy Hop (considered the Grand-Daddy of all jive dance) date back to the early 1920’s and was created by one dance absorbing steps from other contemporary social dances. This mutation process usually occurs when dancers put together steps that they like and which they feel fit the music. Personal or cultural interpretations may further contribute toward the creation of new dance styles. Adaptations of Lindy Hop include the Jitterbug, Rock ‘n’ Roll and Jive.

The fusion of two styles of popular music can also have an enormous effect on social dance evolution. In the case of Salsa, the combination of African rhythm and big band jazz is a perfect example of what is arguably the most successful dance story since the 1960’s…you can even buy it in a jar! As a product of Son and Mambo, Salsa music is still subject to change owing to modern and contemporary musical influences.

I recently received a phone call from a dance agency asking me if I knew anything about a new dance craze called Reggaeton, following a query they had received from a client requesting a performance of this dance for a corporate event. On this occasion I was only able to offer a brief knowledge of the music only, as I was unaware of any established dance moves or basic foot patterns relating to the music.

In case you were wondering, Reggaeton (also spelled Reguetón) is a blend of Reggae, Dancehall and Hip Hop genres developed in Puerto Rico in the mid 1990’s. It is rapped in street-Spanish which gives it that Latin American touch…think Shaggy meets Tito Puente and you’re on the right track. Although Reggaeton has become a bit of a national obsession in Puerto Rico and is creeping into the UK nightclub scene quicker than you can say “Mr bombastic!” I haven’t yet come across that one specific basic foot pattern worthy of release to your weekly social dance class; in fact the way it is danced in the night clubs of Puerto Rico may be the kind of thing frowned upon by your parents! Saying that, following the way we all tucked into the ‘forbidden dance’ – Lambada, I suppose anything’s possible.

The club dance scene seems to be moving at quite a pace these days and in our busy ‘dance teaching’ lives we sometimes rarely have the opportunity to keep up with the latest social dance developments. If you have any questions or queries regarding current music or dance trends do not hesitate to get in touch with the Club Dance Faculty and we will do our best to help.


Richard Marcel

ISTD FACULTIES

ISTD ONLINE

 

 


Copyright 2002 ISTD Dance Examinations Board