Summer
School, Chichester
Exhilarating would
be the word to describe yet another successful week in Chichester. It
seems to go from strength to strength. A relaxed and happy atmosphere
was created from day one. Christina Ballard's warm and welcoming manner
put everyone at their ease.
There was a high
proportion of young and overseas teachers, many on their first trip to
Chichester. It will, most certainly not be their last! One teacher was
heard to say, "I came here because I had to, next year I'll come
because I want to."
Everyone got into
the swing and atmosphere very quickly. Friendships were struck up from
all over the world. A few regulars caught up with old acquaintances and
swapped notes. It truly was a unique experience to witness so many people
from as far afield as Australia, Canada, USA, Malaysia and Europe, all
executing the ISTD Syllabi with the same passion and ultimate goal -
to teach the very best work to their pupils.
It may sound like
all work and no play, but not so. The campus bar was very welcoming after
a 12 hour day of dance! The Quiz night, organised by Caroline Lavelle,
kept already over-worked brains even busier.
The theatre trip
proved to be a great success. A short walk across a field and we were
in the Minerva Theatre. Very intimate, the perfect setting for "Pal
Joey" an excellent performance. I was thrilled to meet up with four
cast members whom IÕve worked with in the past.
One noticeable
absentee this year was Mrs Ashcroft. Her presence was sorely missed especially
by those of us who love and admire her. She will be thrilled to know
that the'team' did not let her down. It was Mrs Ashcroft who was the
instigator of this unique week. There are too many people to mention
personally, everyone did a wonderful job.
All in all a superb
week, due to the organisation, the venue with its faultless service,
hospitality and delicious food! The quality of teaching by the brilliant
faculty, imparting their expertise in many different ways, so inspirational,
much was to be gained by this.
The execution of
the New Modern work by the talented young teachers, so refreshing.
With this calibre
of teachers passing on the Modern work with such style and ease, the
ISTD is in safe hands for many years to come. I had a ball!
Carol Ball
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Syllabus
information
- New
Grade 3 & 4 Modern Grades
- The new Grades
3 & 4 became examinable but optional from February 2000. Associate
examinations including the two grades come into force at the same
time. Please mark Grade and Associate examination timetables with'new
grades' until they become compulsory.
- Dances for
Grade 3 & 4
- The current
edition of the notes for Grade 3 & 4 omitted to give the timing for
the dances - the time limit for Grade 3 & 4 is a maximum of 1 minute
30 seconds.
- Associate
Examination
- The advent
of the last two new grades has considerable impact on the structure
of the Associate Examination. Please read the following notes very
carefully.Set Amalgamations Candidates will be expected to prepare:
- One boys'
amalgamation from Grade 1 or 2
- One lyrical
amalgamation from Grade 1, 2 or 3
- One Jazz
amalgamation from Grade 1, 2 or 3
- Either the
girls' Floor Sequence, Lyrical or Jazz amalgamation from Grade
4
No two amalgamation to be chosen from the same grade.
- Modern
Examination Uniform
- Uniform for
Major Modern examinations - trainers and trousers - please can we
remind teachers that although there is no compulsory uniform for the
Modern work it is not appropriate for Major candidates to wear Jazz
trainers or wide-legged trousers. The examiner needs to see the complete
use of the legs and feet and a clean line.
- Use of CD
in Associate Examinations
- Candidates
may choose to conduct the whole examination on CD and without a pianist
- until the new syllabus is compulsory. In this case candidates must
bring with them, into the examination, their choice of a minimum of
three contrasting pieces of music on CD or cassette which will be
used for the free work. A cassette/CD operator must be provided which
must not be a teacher or a candidate entered in that session. Candidates
entering a centre session must make it clear to the organiser whether
or not they require a pianist or CD/cassette operator.
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Music
for Licentiate & Fellowship Examinations
We hope that the
chart below will help to clarify the music situation.
Licentiate
From September
2000 all Licentiate classes whether Grade or Major must be conducted
to CD and/or cassette. The second part of the examination will also be
conducted to CD and/or cassette and candidates must bring a good range
of their own unset music, as in the Associate, to cover Grade, Major
and Boys' work. Pianists will no longer be supplied for any Licentiate
examinations in the UK.
Fellowship
At present will
remain as it is with a pianist supplied by HQ. As soon as Advanced 1
and Advanced 2 are on CD the Fellowship Examination will also be conducted
without a pianist. Now that so many of the Modern Grades and Majors are
available on CD we thought we would clarify the use of piano/CD for all
the Modern and Tap examinations.
|
Modern |
Tap |
| Primary
- Grade 4 |
CD |
Pianist
- no set music |
| Pre-Intermediate |
CD |
|
| Intermediate
|
CD |
Pianist
- set music |
| Advanced
1 |
Tape
& CD (CD coming soon) |
Pianist
- set music |
| Advanced
2 |
Tape
& CD(CD coming soon) |
Pianist
- set music (Can use cassette for Set Amalgamations) |
| Jazz
Awards |
Tape
or CD (no set music) |
|
| Popular
Tap Tests and ALL Tap Medals |
|
Pianist
- no set music |
| Associate,
Associate Diploma & Licentiate |
Tape
or CD |
Pianist - set & unset music |
Music
Please remember
the following regulations regarding cassette and CD operation:
- Music operators
must not be teachers. Students who are not entered in the current sessions
are ideal.
- Music operators
should sit sideways wherever possible and not face-on to the candidate.
- Facilities should
be provided for re-winding cassette tapes outside the examination room.
- Associate candidates
no longer need a pianist for set or free work unless still using the
old Grade 3 or 4 Modern (only until January 2001).
Breaking the regulations
about music operators can put our examiners in a difficult and embarrassing
position. It is unprofessional of teachers not to rehearse and organise
this essential part of the examination process. Please help to make examination
day as relaxed and happy as possible for everyone involved.
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