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Blazing
2000
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Sudesh
Jesuthasan in a striking Bharatanatyam pose |
Shikshã-Behind
the Performance
As a comparatively
recently formed faculty of the ISTD, we were delighted to get the opportunity
to participate in the Blazing 2000 Dance Festival at the South Bank Centre
on Friday 11th August. It was a challenging experience. Our aim was to
further raise awareness of the new developments in South Asian Dance
(its inclusion in the ISTD portfolio), and to increase the participation
of dance teachers and students in the newly created syllabuses and examinations
in Bharatanatyam and Kathak run by the ISTD.
The objective for
the day was to lead participants through a journey of the various steps
in the education and training (shikshã) of dance whilst emphasising
the role of performance in a world behind it. Trying to organise the
day so that a wide spectrum of dance activities related to Bharatanatyam
and Kathak could be represented took some juggling. We wanted to maintain
a constant flow of energy for the participants throughout the day.
The programme for
the day was fine-tuned through regular meetings and constant contact
with the staff of the South Bank Centre. We awaited the day with excitement
and anticipation. It was encouraging to find the ballroom floor filled
with enthusiastic participants at the first event on the day. The day
started appropriately with a dance 'warm-up' led by Anusha Subramanyam.
All day long, the ballroom floor buzzed with dance activities.
Apart from presentations
of grade work from the Bharatanatyam and Kathak syllabuses by Pushkala
Gopal, Anusha Subramanyam, Sushmita Ghosh and Sushma Mehta, there were
open classes in the two forms for people who had never before taken a
dance step, but wanted to experience South Asian Dance. The open classes
were taught by Chitra Sundaram (Bharatanatyam) and Nilima Devi (Kathak).
There were also
classes at more advanced levels. All the classes gave a glimpse of the
indispensable rigorous training and practice behind the fun and glamour
of performance. Fortunately, we were able to involve some visiting artists
from India, thereby extending an interest in the ISTD to the Indian subcontinent.
Padma Sharma, Saswati Sen, and Anita Ratnam worked on the expressive
aspect (abhinaya) of South Asian dance. Workshops in Hindustani music
by Baluji Shrivastava and Karnatic music by Pushkala Gopal focused on
the close relationship between South Asian Dance and music. In the open
forum on the syllabuses led by David Henshaw, Chair of the South Asian
Dance Faculty, the discussion was useful and stimulating. There were
many inquiries by dance teachers and examiners at the ISTD information
desk all day.
The lunchtime
performance by two young professional artists, Sonia Sabri (Kathak) and
Kalithasan (Bharatanatyam) was breathtaking. The day culminated in a
student showcase with students of Sujata Bannerjee, Gauri Sharma and
Unnikrishnan taking part. The performance was of high quality and proved
that the art forms are being handed down competently. The future looks
bright and hopeful.
On the whole,
the day was extremely successful. We attracted new students who enquired
about regular dance classes, and dance teachers who were eager to find
out more about the ISTD examinations. Our aim now is to involve many
more dance teachers and students. The process of awareness has begun,
and we know we have taken a step in the right direction.
As it happened,
the event turned out to be a complete day out for the family. Families
stayed on until the evening, and as dusk fell, people witnessed an amazing
dance spectacular organised by Akademi - South Asian Dance in the UK.
The terraces, the roof-tops, the river bank and the balconies of the
South Bank Centre all came alive with the vibrant dance and music as
part of the 'Coming of Age' project, a site specific contemporary rendition
of the traditional South Asian Dance forms.
It was indeed
an aural and visual feast. An unforgettable end to a superb day!
Sushma Mehta
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Sonia
Sabri performing fast pirouettes during the Kathak performance
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Fun
with Face painting session led by Mohammed |
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Nilima
Devi taking the Kathak open class
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