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Maurizio Vescova & Melinda Torokgyorgy

Graham Oswick interviews these top competitors and gets an insight into their lives

I met up with Maurizio & Melinda during a quiet period at the recent United Kingdom Dance Championships in Bournemouth. They very kindly let me chat with them to find out a little bit more about how the minds of the reigning World Amateur Latin American Champions work. They are of course, the holders of the Imperial Amateur Latin American Championship as well as being, British, International and World Champions.
Here’s how it all went:

G - How were you first introduced to dancing?
MV - Well, my mother was dancing first. She did Salsa and then got involved in competition. My parents said that every time they went for a lesson, I was always there watching and trying to copy what they were doing. I also used to dance around the table when we were supposed to be having our meals. Eventually they decided to find me a partner and that was the beginning!
MT – My parents were also dancing and had their own club in Hungary which is still running. My sister was also dancing. So there were two possibilities. Either I hate dancing or take up dancing. I chose the second!

G - Fortunately for all of us I guess!

G - What is the most memorable moment in your career so far?
Two memories are the most clear for me. Making our first major semi-final at Blackpool and then making the final in the International championships in London. Then of course there was winning Blackpool in 2007 which was very special for us.

G – Of course you recently won the World Championship for the first time in Lithuania in December which must have been a great feeling too.
MV – Yes, this was the end of a year of very good results
for us.

G - Have you ever had any major disasters in your dance career?
MT – We did a competition one time in Belgium when Maurizio forgot nearly all our choreography! He was going against the line of dance and things like this! Promenade runs the wrong way around the floor.

G – I guess that got you noticed!

G - What other dancers have inspired you?
MV – I have a lot of inspiration from my Flamenco teacher. Especially in the way she looks at dancing and how strong she is in the practice. She gives me a lot of character

G - Which dance best suits your character and why? I assume from your last answer you are going to say Paso Doble.
MV – Yes, that’s right.

G – You are quite famous for your interpretation of the Paso Doble.
MT – I like the Rumba more.

G - What is it about Dancing that you like?
MT - I like that when I dance I can just forget everything and enjoy the music. It’s a great feeling for me. It’s almost an escape.
MV – I also like the Dance World and the people in it. I like the way I can be myself on the floor. I can take away the tension in my body with the dancing. I especially like that dancing is something you have or don’t have. Nobody can buy this. I feel very rich with this feeling even though I don’t have so much money.

G - What tips would you give to young dancers starting out today?
MV - I think the young generation are a little full of mechanics of movement instead of relaxing and finding their own style for dancing and their own way to express what they feel inside. I think this is very important for any dancer.

G – How important would you say a good technique is to a successful dancer?
MV – The more technique you have the more you can be on balance and express music. Without this the expression we see is not real.

G – How much practice to do you do in a week?
MT – It really depends. Sometimes it’s three hours per day but we don’t have a strict system. We feel our practice is affected by our mood as well as our working schedule. Sometimes we do a lot and other times not so much.

G – So you would say that it is a more spontaneous thing?
MV – Exactly
MT– Every day we change how, what and the amount we practice.

G – Where’s the strangest place you have had to dance?
MT – In Budapest we had a show with many VIP’s and nobody was watching us at all. They were only eating and talking to each other.
MV – Another time we were doing a show by the side of a swimming pool. In one number I was using a cape and I threw the cape inside the pool!

G – I bet that made it difficult to twirl.
MV – Beside the pool there is a type of plastic grating where the overflow water runs and Melinda kept losing her heel down this. It was very funny. In the Samba we had to actually dance around the swimming pool.

G – What are the top five elements a good dancer requires in your opinion?
1. Not to be too commercial
2. Good musicality
3. Correct Interpretation of dances
4. A good knowledge of technique
5. Be original

G – Who’s the boss in your partnership?
MT – He is the boss!

G – Who’s the most organised? I’m sure it can’t be Maurizio if he is a typical Italian.
MT – Actually he is quite organised (for an Italian).
MV – I do 80% of the things.

G – How was it being immortalised on the ISTD technique video for Paso Doble?
MV – It was quite difficult because everything had to be precise as the book states and there were many hours standing and repeating steps for the camera.
MT – The simplest things always took longer!
MV – It was difficult to keep our own interpretation of shapes and amounts of turn under control.

G – Is there anything else we should know?
MT – He is very crazy but he has a good heart! He can change moods very quickly. He is very spontaneous.

G – He’s Italian you mean?
MT – Exactly. I’m the more consistent one who controls the situation!

I would like to thank Maurizio and Melinda for spending some time with me and I am sure you would want to join with me in wishing them well with their successful careers together.
Graham Oswick

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