Gwenethe
Walshe
By
Peggy Spencer MBE
We
are sorry to report that Gwenethe Walshe, member of
the ISTD Grand Council and honorary member of the Latin
American Faculty passed away in January.
Gwenethe
was a petite lady who always wore very high heeled shoes.
Her hair was styled and always immaculate, but in spite
of her dainty appearance, she was dynamic. She cared
passionately about the future of Latin dancing.
She
loved all dancing, but was on the scene when Latin became
popular both competitively and as an examination branch
of the ISTD. She, and her then partner, Dimitri Petrides,
demonstrated and lectured on the figures being used
at the time
Through
her committee work, which is where I came to know her
well, she helped to form the Latin Technique, which
went through many stages before it became acceptable
for Professional Examinations.
Gwenethe worked very hard in her studio in Baker Street,
where she trained so many teachers. She realised how
important the correct music was, and during visits to
South America on business, her husband, Frank would
research for the authentic and original music for the
Latin dances. This resulted in the fact that they built
up a unique collection of music which was envied by
all, especially when they used it at lectures and workshops.
Gweneth
also visited South Africa and returned with the Kwela/Jive,
which became very popular at the time.
Gwenethe gave so much of herself to building the present
day Latin Scene and we will all miss that petite but
dynamic character.
By
Janet Clark
This
diminutive red headed beauty, who was born with an insatiable
love of dance, with talent in every atom of her being,
became, on the evening of Saturday 21 st January 2006,
very tired. Her little body had slowed down and by mid-morning
the next day with the Australian sun shining brightly
outside and the warmth of her sister Shirley and brother-in-law
Donald beside her, peacefully passed away.
Gwenethe
died as she had lived, with grace and beauty. Love and
gratitude go with you Gwenethe from so very many people
whose lives you touched.
Born
in New Zealand and the eldest of three daughters, Gwenethe
joined ballet class at three years old and was teaching
ballet from the age of fourteen. As a young woman Gwenethe
fell in love with the London dance scene and made London
her home.
Throughout
her long career Gwenethe gave loyal, dedicated service
to the ISTD as committee member and Examiner. She worked
ceaselessly for the betterment of the working teacher,
to uphold the principles of the Society and for the
development of dancing. She was a member of the ISTD
Grand Council.
Gwenethe
lectured world-wide countless times, never failing to
please with her innovative variations. Always a balance
of light and shade and, most importantly, her amalgamations
inspired musicality in the dancer. The profuse number
of variations, that were always a joy to dance, appeared
to be created with ease. I am sure that some of you,
like me, still see her in your mind's eye; an imposing
dancer, petite, with a powerful crystal clear voice
and beautiful English accent.
Gwenethe's
charismatic personality helped create the amazing atmosphere
that drew young dancers of the day to her Leinster Gardens
Studio in Lancaster Gate, London. At her weekly Jive
night for example, one felt a pulsating energy that
gave a buzz no dancer could resist. These classes were
more fun than I can express in words. So popular were
they, there was barely room to move, but no one cared!
Whatever and wherever Gwenethe taught during the whole
of her life, this was the level of success that followed
her. However, though her success with the general public
was immense, her achievements in, and love of, teaching
teachers was greater still. With her generosity of spirit
she passed on her innate sense of dance and the teaching
of dance to all who wished to learn, and there were
many.
Gwenethe
Walshe was a wonderful person who had a great life doing
what she wanted to do; dancing and teaching dancing.
Every aspect of her work was of the highest calibre
but she never sought the limelight. Even so, she shone
more brightly than the brightest star.
Dear
Gwenethe, mentor and friend, you live on in our hearts
and in our deeds.
By
Vernon Kemp
When
I came to London to study for higher qualifications
there were four ‘Leading Ladies of Dance’:
Josephine Bradley, Phyllis Haylor, Doris Lavelle, and
Gwenethe Walshe. Gwenethe Walshe, the last of these
London Ladies, passed away peacefully on January 22nd
and so ends an era.
Gwenethe,
a New Zealander, came to London to be presented at court,
and, more importantly perhaps in her eyes, to study
for her ISTD membership (Licentiate) with Alex Moore.
Duly she qualified (she had been teaching in New Zealand
since a teenager) and the first Gwenethe Walshe Studio
opened its doors in 1938 in Baker Street - just around
the corner from her last studio which I took over from
Gwenethe only a few years ago.
By
the outbreak of World War 2 Gwenethe had moved to the
Palace Hotel overlooking Hyde Park. She undertook nursing
duties in order to continue teaching and showed great
bravery during the blitz. Her tales of this time were
told with wry humour and humility as to her role I think
she genuinely didn't realise how brave she had been
‘....it was just what one did’.
Always
open to new ideas Gwenethe went with her sister Shirley
to take lessons in Latin American with Pierre. Miss
Bradley suggested she partner up with a young assistant
of hers: Dimitri Petrides and together they were successful
in the first Latin competitions. It is hard to imagine
today that there was no Latin at Blackpool, the International
had not started and The Star featured a competition
in Rumba only. Building on this success Gwenethe and
Dimitri became very popular as demonstrators and as
coaches in the ‘new’ dances. To help develop
the furtherance of Latin Dancing the All England Championships
were instigated at this time.
Gwenethe
joined the ISTD Latin Faculty committee very shortly
after its formation and was soon a busy examiner. She
had a keen eye both as a coach and a technician which
naturally led to her becoming one of the leading trainers
of teachers influencing the careers of so many teachers
not only in the UK but worldwide. A popular lecturer
and an innovator Gwenethe introduced English teachers
to Kwela Jive from South Africa, Merengue, and Twist.
She championed dances such as Mambo and Argentine Tango
when they were virtually unknown in the profession.
Musical
awareness and expression were important features in
her work and in this she was supported by her devoted
husband Frank. At a time when buying Latin American
music was limited (and downloading not even a dream)
Frank not only brought records back from his trips as
a scientist to Europe USA and South America he played
them on the best equipment available. The monthly competitions
at Gwenethe's Melody Ballroom in North London were renowned
for their ‘crystal clear sound’.
When
you skip a generation there is often a great affinity
and this in part explains the depth of friendship between
Gwenethe and me. There are so many parts of my professional
and personal life where I recognise Gwenethe's influence
but the one element which is predominant is a searching
for quality. She expected nothing less and would not
understand why you would wish anything less of yourself.
Always the consummate professional in public there was
nevertheless a personal side with a wonderful sense
of humour and a surprisingly strong laugh for such a
petite lady! She enjoyed good food, especially home
cooking, going to the theatre and walking around London
which she had fully adopted as her home.
Gwenethe
gave a lifetime of commit-ment to the profession and
her influences in so many aspects of examination work
and competitive dancing are myriad. Described in The
Ballroom Dancing Times in 1958 as ‘a small dainty
artistic and brainy package ... with a burning drive
that will never let her down’ .... It didn't!
You will be sorely missed Gwenethe.
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